Peter’s Lament was written as a reflective sacred solo intended for worship settings where storytelling and emotional honesty are central.

The German phrase „bei Ebbe“ translates to “at low tide.” Rather than functioning as a poetic meditation, the text operates almost like a narrated scene. Its delivery is intentionally direct, rhythmic, and at times understated, allowing the ensemble to shape the drama through timing, articulation, and ensemble precision.

Psalm 100 has long been one of the Church’s most beloved calls to worship. Its opening command— “Make a joyful noise to the Lord, all the earth” —is both exuberant and expansive, inviting praise that is active, communal, and global in scope. Mshangilieni Bwana  was written with that spirit in mind: a setting that celebrates joy, movement, and the shared language of worship across cultures. Why Swahili? The central phrase of this piece, “Mshangilieni Bwana,”  is a Swahili rend

Dedicate each breath to God's glory

I work part time as an accompanist for TPS choirs here in America's hi five . I love working with these kids and wanted to give them something that was unique, beautiful and would offer them a message to sing that reflected my own hopes for their futures. so I wrote them a song. Let me know what you think!

Whether here or 'cross the sea, regardless of the cost to me, I will fight to guard your right to fly the flag that calls you free.

Listen to I Love You, Adeline and learn more about the song

Listen to the Omelet Song and learn more about it